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Writer and storyteller John Edgar has been telling tales
all sorts of audiences in all sorts of venues – theatres,
arts centres, schools, libraries, festivals, pubs & clubs
and the open air – since 1990. He draws his material
from all over the world and links traditional tales with his
own writing.
His lively cabaret style offers a unique entertainment that
has taken him all over the country. Armed only with a guitar,
John introduces us to a range of chilling, eccentric and comic
characters.
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Breton Tales After Dark
“In the daytime the land belongs to the living. But after
dark …”
Things used to go bump in the night all the time in nineteenth century
Brittany. If you were really unlucky, you might even meet up with
who - or what - was doing the bumping …
Drawn from traditional Breton folklore, writer, storyteller
and performer John Edgar’s new solo presentation is
a collection of dark, eccentric and often bleakly funny stories
of Breton life - and death - after sunset. It’s a time
when trees walk, dead skulls regain the power of speech and
the locals venture abroad with their heads down, hoping that
they won’t encounter the Ankou with his fatal scythe
(even though we all will, one day), the Lavandières,
the washerwomen of the night, washing sheets to make the shrouds
that will be needed at dawn, or the strange and charming horseman
eager to invite you to supper in his mansion house below ground,
where, whatever the weather outside, it’s always warm.
All these characters and more are vividly drawn in some of the
darkest tales ever to cross the channel !
Curses, Corpses and Conjurations
More Breton Tales After Dark
In 19th Century Brittany life could be dramatic enough, but what
happened next was far more exciting. And even if you were still
alive there was always someone who knew a curse to speed up your
journey to the great beyond.
In this collection of dark, eccentric and bleakly comic stories
and folklore we learn about the voueueses, those with the
knowledge and power to curse, we meet the dead who won’t keep
still (like the skull that wants its bonnet back), and we encounter
the exorcists whose job is to try and make sure that the departed
stay where they belong. And there are John’s usual hints and
tips for keeping on the right side of death.
All of these characters and more are brought to life, for want
of another phrase, in John Edgar’s unique writing and performance
style. Linked with traditional Breton songs, the stories in Curses,
Corpses and Conjurations will give you a night to remember
– though whether or not you’ll thank John for that is
another matter altogether …
Breton Christmas Spirits
Say a little prayer for those who’ve gone before,
Say a little prayer for those we’ll see no more,
And when I’m carried through death’s door,
Say a little prayer for me …
Christmas Eve was always special in Brittany. Not only was it the
beginning of the most celebrated feast in the Christian calendar,
it was also the night of miracles. It was a night when the ox and
ass in the stable regained the power of speech in recognition of
their good work on that first Christmas night. It was the night
when the ageless standing stones left their ancient beds to drink
from the rivers, and there was treasure to be had – provided
you were quick. Midnight was the hour when the waters in the wells
would turn, for two seconds only, to the sweetest and strongest
wine ever tasted. You were either at midnight mass or you were in
bed. For, of course, the dead also walked abroad …
This selection of dark and eccentric tales from across the channel
celebrates this wondrous, mysterious and downright dangerous festive
season.
If you want to book John click
here
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